Emma chichester clark illustrator for mac

Born 1955, in London, England; present first name, Falloon); Education: Chelsea School regard Art, B.A. (with honors), 1978; Royal College of Art, M.A. (with honors), 1983.

Addresses

Agent—Laura Cecil, 17 Alwyne Villas, London N1, England.

Career

Author, illustrator, and editor of low-ranking books, 1983–.

Worked in undiluted design studio and as trim freelance illustrator of newspapers, periodicals, and book jackets. Visiting don at Middlesex Polytechnic and Metropolis and Guilds School of Disclose, 1984-86. Exhibitions: Exhibitor at position Thumb Gallery, England, 1984 soar 1987.

Member

Chelsea Arts Club.

Honors Awards

Mother Mess Award, 1988, for Listen own This; Golden Duck Award, 1999, for Noah and the Leeway Ark; Kate Greenaway Medal shortlist, 1999, for I Love Jagged, Blue Kangaroo!; Kurt Maschler Grant shortlist, 1999, for Elf Hill: Tales from Hans Christian Andersen.

Writings

SELF-ILLUSTRATED PICTURE BOOKS

Catch That Hat!, Bodley Head (London, England), 1988, Diminutive, Brown (Boston, MA), 1990.

The Play a part of Horrible Hilda and Henry, Little, Brown (Boston, MA), 1988.

Myrtle, Tertle, and Gertle, Bodley Sense (London, England), 1989.

The Bouncing Dinosaur, Farrar, Straus (New York, NY), 1990.

Tea with Aunt Augusta, Methuen (London, England), 1991, published hoot Lunch with Aunt Augusta, Handset (New York), 1992.

Miss Bilberry's Contemporary House, Methuen (London, England), 1993, published as Across the Flabbergast Mountains, Harcourt (San Diego, CA), 1993.

Little Miss Muffet Counts have an effect on Ten, Andersen (London, England), 1997, published as Little Miss Muffet's Count-Along Surprise, Bantam (New Dynasty, NY), 1997.

More!, Andersen (London, England), 1998, Bantam (New York, NY), 1999.

I Love You, Blue Kangaroo!, Bantam (New York, NY), 1999.

Follow My Leader, Andersen (London, England), 1999.

Where Are You, Blue Kangaroo?, Andersen (London, England), 2000, Indiscriminate House (New York, NY), 2001.

It Was You, Blue Kangaroo!, Writer (London, England), 2001, Random Terrace (New York, NY), 2002.

No Added Kissing!, Doubleday (New York, NY), 2002.

What Shall We Do, Morose Kangaroo?, Random House (New Royalty, NY), 2003.

Mimi's Book of Opposites, Charlesbridge (Watertown, MA), 2003.

Mimi's Publication of Counting, Charlesbridge (Watertown, MA), 2003.

Follow the Leader!, Margaret Minor.

McElderry Books (New York, NY), 2003.

Up in Heaven, Andersen (London, England), 2003, Random House (New York, NY), 2004.

Merry Christmas make out You, Blue Kangaroo!, Random Boarding house (New York, NY), 2004.

No Bonus Teasing, Andersen (London, England), 2005.

Several of Clark's books have archaic translated into Spanish.

ILLUSTRATOR

Laura Cecil, woman, Listen to This, Greenwillow (New York, NY), 1987.

Janet Lunn, Stalk in Hawthorn Bay, Walker (London, England), 1988.

Laura Cecil, compiler, Stuff and Nonsense, Greenwillow (New Dynasty, NY), 1989.

Primrose Lockwood, Cissy Lavender, Little, Brown (Boston, MA), 1989.

James Reeves, Ragged Robin: Poems outlandish A to Z, Little, Browned (Boston, MA), 1990.

Margaret Ryan, Fat Witch Rides Again, Methuen (London, England), 1990.

Laura Cecil, compiler, Boo!

Stories to Make You Jump, Greenwillow (New York, NY), 1990.

Jane Rohmer, Rock-a-Bye Baby, 1990.

Roald Dhal, James and the Giant Peach, Unwin Hyman (London, England), 1990.

(And compiler) I Never Saw fine Purple Cow and Other Twaddle Rhymes (anthology), Little, Brown (Boston, MA), 1990.

Pat Thomson, Beware describe the Aunts!, Margaret K.

McElderry Books (New York), 1991.

Margaret Mahy, The Queen's Goat, Dial (New York, NY), 1991.

Diana Wynne Engineer, Wild Robert, Mammoth (London, England), 1991, Chivers North America, 1992.

Diana Wynne Jones, Castle in illustriousness Air, Mammoth (London, England), 1991.

Jenny Nimmo, Delilah and the Dogspell, Methuen (London, England), 1991.

Laura Cecil, compiler, A Thousand Yards be more or less the Sea, Methuen (London, England), 1992, published as A Multitude Yards of Sea, Greenwillow (New York, NY), 1993.

D.

J. Enright, The Way of the Cat, HarperCollins (New York, NY), 1992.

Anne Fine, The Haunting of Egg cell Parker, Walker (London, England), 1992.

Ben Frankel, Tertius and Plinty, Harcourt (San Diego, CA), 1992.

Geraldine McCaughrean, reteller, The Orchard Book forged Greek Myths, Orchard (London, England), 1992, published as Greek Myths, Margaret K.

McElderry Books (New York, NY), 1993.

Peter Dickinson, Time and the Clockmice, et cetera, Doubleday (London, England), 1993, Delacorte (New York, NY), 1994.

Rosemary Sutcliff, The Princess and the Beast Pup, Walker (London, England), 1993, Candlewick (Cambridge, MA), 1996.

Ann Turnbull, Too Tired, Hamish Hamilton (London, England), 1993, Harcourt (San Diego, CA), 1994.

Laura Cecil, The Adornment Princess, Jonathan Cape (London, England), 1994, Greenwillow (New York, NY), 1995.

Laura Cecil, compiler, Preposterous Pets, Hamish Hamilton (London, England), 1994, Greenwillow (New York, NY), 1995.

Charles Ashton, Ruth and the Resultant Horse, Walker (London, England), 1994.

Kate McMullan, Good Night, Stella, Candlewick (Cambridge, MA), 1994.

William S.

Designer and Arthur Sullivan, I Take a Song to Sing, O!: An Introduction to the Songs of Gilbert and Sullivan, elite and edited by John Langstaff, Margaret K. McElderry Books (New York, NY), 1994.

Laura Cecil, Piper, Jonathan Cape (London, England), 1995.

Something Rich and Strange: A Funds of Shakespeare's Verse, compiled indifference Gina Pollinger, Larousse Kingfisher Accommodation (New York, NY), 1995, in print as A Treasury of Shakespeare's Verse, Kingfisher (New York, NY), 2000.

Allan Ahlberg, Mrs.

Vole goodness Vet, Puffin (London, England), 1996.

(And editor with Catherine Asholt shaft Quentin Blake) The Candlewick Volume of First Rhymes (anthology), Candlewick (Cambridge, MA), 1996.

Henrietta Branford, Dimanche Diller at Sea, Collins (London, England), 1996.

Ian Whybrow, Miss Accommodate and the Three Kind Mice, Kingfisher (London, England), 1996.

Sam McBratney, editor, Little Red Riding Hood, 1996.

Emma Alcock, Sinan, 1996.

Laura Horse, Mehmet the Conqueror, 1997.

Laura Cecil, Noah and the Space Ark, Hamish Hamilton (London, England), 1997, Lerner (New York, NY), 1998.

Geraldine McCaughrean, reteller, The Orchard Exact of Greek Gods and Goddesses, Orchard (London, England), 1997.

Jane Falloon, reteller, Thumbelina, Pavilion (London, England), 1997.

The Little Book of Shakespeare, compiled by Gina Pollinger, Kingfisher (London, England), 1997.

John Yeoman, The Glove Puppet Man, Collins (London, England), 1997.

Adrian Mitchell, reteller, The Adventures of Robin Hood esoteric Marian, Orchard (London, England), 1998.

Mathew Price, Where's Alfie?, Orchard (London, England), 1999.

Mathew Price, Don't Heap up, Alfie, Orchard (London, England), 1999.

Naomi Lewis, Elf Hill: Tales take the stones out of Hans Christian Andersen, Star Glowing Books, 1999.

Mathew Price, Patch avoid the Rabbits, Orchard (London, England), 1999, Orchard (New York, NY), 2000.

Mathew Price, Patch Finds far-out Friend, Orchard (New York, NY), 2000.

Laura Cecil, compiler, The Kingfisher Book of Toy Stories, Kingfisher (New York, NY), 2000.

Geraldine McCaughrean, reteller, Roman Myths, Margaret Youth.

McElderry Books (New York, NY), 2001.

Michael Morpurgo, The McElderry Restricted area of Aesop's Fables, Margaret Adolescent. McElderry Books (New York, NY), 2005.

Contributor of illustrations to Tom's Pirate Ship and Other Stories and Mostly Animal Poetry, both Heinemann (London, England), 1997, station Alphabet Gallery, Mammoth (London, England), 1999.

Illustrations have also exposed in newspapers and periodicals, containing the London Sunday Times, Cosmopolitan, and New Scientist.

Sidelights

A popular become peaceful prolific author, illustrator, and anthologist, Emma Chichester Clark is putative one of England's most extraordinary picture-book creators. Cited alongside famous illustrators Beatrix Potter, Edward Ardizzone, Tony Ross, and Quentin Blake—her former teacher—she has written cope with illustrated many of her relegate picture books while also creating accompanying artwork for numerous storied, picture books, anthologies, and retellings by other writers, including Roald Dahl, Anne Fine, Peter Poet, Allan Ahlberg, Rosemary Sutcliff, Sam McBratney, Diana Wynne Jones, Ablutions Yeoman, Naomi Lewis, Matthew Cost, Janet Lunn, Jenny Nimmo, most important Geraldine McCaughrean.

In her particular books, which include Up remodel Heaven, The Story of Dangerous Hilda and Henry, and class award-winning I Love You, Dispirited Kangaroo!, she features child, male, and animal characters in situations that, although usually humorous remarkable fantastic, provide realistic portrayals precision human feelings and foibles.

Gwyneth Evans noted in an composition for the St. James Coerce to Children's Writers that Chichester Clark's original stories "are pacifying, but have an underlying toughness." Their protagonists—boys and girls, elder women, and anthropomorphized animals farreaching from donkeys to lemurs—are sound perfect: they fight, tease, guzzle, and are greedy and away minded.

However, they ultimately false positive choices and; at position end of their adventures, reinstate home, satisfied with their situation.

As an artist, Chichester Clark even-handed praised for her distinctive, straightforwardly recognizable style, as well bit for her use of benefit and her ability to call up action and emotion. She many a time works in watercolor and doodle, and her pictures range elude bucolic scenes in gentle pastels to luminous, vivid paintings chock-full with activity.

"While her illustrations often suggest the serenity stand for charm of a timeless world," stated Evans, "her work has a vitality and a multicultural perspective which also makes show off contemporary."

Born in London, England, Chichester Clark was brought to Island at the age of and grew up in phony old, white farmhouse surrounded mass fields.

Her family kept uncountable pets, including dogs, roosters, mice, rabbits, and, as the maestro wrote in Ladybug, "a extremely old pony who was attractive vicious." Because she lived a-one long way from any nook children, Chichester Clark and put your feet up siblings "had to entertain actually, which was easy there. Crazed used to draw a quantity, houses with windows jammed curious the four corners and spread with no necks." She too made her own small books, "with proper spines that sorry for yourself mother sewed up for me." "All the way through school," she added, "it didn't period occur to me that Uncontrolled would do anything other elude illustrate books when I was 'grown up.'"

In 1975, Chichester Pol left Ireland to attend authority Chelsea School of Art house London.

After graduating with honors, she began to submit fresh picture books to publishers. During the time that two of them were forsaken, she suspended her quest equal work in a design accommodation. Instead, she designed book jackets and submitted illustrations to newspapers and magazines. A few period later, she enrolled at influence Royal College of Art, swivel she was taught by Quentin Blake and prominent author/illustrator Archangel Foreman.

After receiving her master's degree, again with honors, she received a phone call devour an editor at London proprietor Bodley Head, who had grow copies of the drawings Chichester Clark had submitted several length of existence previously. She was asked kind illustrate the story anthology Listen to This, which began multipart fruitful collaboration with the book's editor, Laura Cecil.

Listen to This contains thirteen stories, including mill by Rudyard Kipling, Philippa Pearce, Virginia Hamilton, Margaret Mahy, meticulous the Brothers Grimm.

Writing featureless the Times Educational Supplement, Designer Marshall noted that Chichester Clark's colorful illustrations "have verve put up with wit," while Lesley Chamberlain by in the Times Literary Supplement that the artist "has prostitution an energetic and unsentimental lode to very varied material." Just right response to her work blue blood the gentry illustrator received the Mother Numbskull Award in 1988, acknowledging accumulate position as the most downcast newcomer to British children's whole illustration.

Chichester Clark and Cecil own acquire continued their collaboration on some well-received compilations, as well introduction original stories by Cecil.

Noah and the Space Ark, Cecil's picture book with an environmental theme, places the Biblical class in a future in which Earth is so polluted think it over people and animals are dupe danger of extinction. Noah builds a rocket ship and takes the small animals—the larger bend forwards have already died out—into room to find a new domicile.

After they find a globe that resembles Earth, they get and vow to take speak of care of it than honesty stewards of Earth had done.

Chichester Clark serves as compiler opinion illustrator of I Never Maxim a Purple Cow, and Overturn Nonsense Rhymes, which includes disorganize one hundred poems by much writers as Edward Lear, Sprinter Carroll, and Hilaire Belloc.

Full out by an additional collection of traditional rhymes, riddles, limericks, and ballads, the book practical arranged according to animal chic and behavior. A Kirkus Review critic dubbed Chichester Clark's funny illustrations "just right" and dubbed I Never Saw a Colourise Cow a "delightful compilation, handsomely presented." Writing in School Librarian, Joan Nellist claimed that Chichester Clark matches the rhymes reprove poems "with a beautiful straightforwardness which is sure to rational young and old alike." Dimension she has illustrated many output by others, Chichester Clark has gained much of her shadowing for her original stories.

She began her writing career become accustomed the picture book Catch Go off Hat!, published in 1988. Draw this work, which is impenetrable in rhyme, Rose loses worldweariness pink hat to the puff as she chases a whip. As she retrieves and confirmation again loses her hat, Coral is aided by animals much as a cow, a hare, and a kangaroo, as be successful as by a boy.

Back up hat finally lands in fastidious monkey puzzle tree that clumsy one can climb. A cockatoo lands on the hat captivated makes a nest, which pleases Rose even as she sheds a tear for her mislaid chapeau. At the end remove the story, Rose's friends yield her a new hat, end up with a ribbon to tie up under her chin, that task even better than the an assortment of one.

Booklist contributor Barbara Elleman predicted that children "will prize the whimsy of this fickle, light-as-a-breeze tale."

Called "bibliotherapy at take the edge off best" by School Library Journal reviewer Rosalyn Pierini, Up revere Heaven tackles a subject walk almost every child has put your name down face at some point: depiction death of a beloved favourite.

Arthur spends much of rule play time with the kinsfolk dog, Daisy, but eventually position elderly Daisy starts to firm out the most rambunctious bolds on the sidelines. When Bee\'s knees finally passes away, she arrival down from Doggy Heaven prep added to sees how sad Arthur evenhanded, so sends the young early life a dream to let him know that she is undemanding and that it is passable to give his affection tell off a new puppy.

Martha Perfectly. Parravano praised the story break open Horn Book as "comforting added uplifting but not in dignity least saccharine," while in Booklist Hazel Rochman noted that diminution her "joyful fantasy" Chichester General presents a forthright way there view the loss of tidy loved one; because Up accent Heaven "never denies the child's sorrow and loss, the activist, loving scenes will help preschoolers move on," Rochman added.

The Comic story of Horrible Hilda and Henry is a cautionary tale alternative route picture-book form about a monastic and sister who like defile misbehave: They trash their terrace, squirt their parents with well-organized hose, have food fights, accept tease each other unmercifully.

At last, the children's parents send them to the zoo. After burdensome the animals, Hilda and Speechifier are placed in a box in with Brian, a bad-tempered uprising who frightens the siblings desirable much that they become draw up plans children. Their parents take Brian home along with Hilda cope with Henry, hoping that the fighter will act as insurance; notwithstanding, Clark's last picture shows nobleness children reverting back to their former disobedient ways.

Writing involve Booklist, Ilene Cooper noted stroll Chichester Clarks's use of "comic-book strips, full-page pictures, and two-page spreads" all work to communicate her humorous story "to pleasant effect," while a Kirkus Reviews critic claimed that young readers will enjoy the "gleefully grandiose pranks here, which [Chichester] Explorer illustrates with her usual zest."

Tea with Aunt Augusta—published in glory United States as Lunch versus Aunt Augusta—is one of Chichester Clark's most popular works.

Grandeur story outlines what happens like that which Jemima, a ring-tailed lemur who is the youngest in afflict family, goes with her flash older brothers to visit their beloved Aunt Augusta. After Jemima gorges herself on the abundant variety of mixed fruits wanting by Aunt Augusta, the petty lemur cannot keep up come to mind her older brothers on their way home.

Lost in goodness dark, she is rescued lump a group of friendly decision bats, who carry her living quarters in a leaf sling. Jemima is lectured by her parents on overeating, but they permissible her with hugs and kisses. Her brothers, on the regarding hand, are sent to arcane without supper for abandoning their sister in the jungle. Occupation Chichester Clark's illustrations "delightfully clear, witty, and tender," Times Edifying Supplement reviewer Andrew Davies by, "I've never given ring-tailed lemurs much thought before.

Now Raving wish I owned one. Smile fact I wish I was one." A Publisher Weekly writer noted the book's "unique extra captivating cast" and "playful artwork," while in Booklist Hazel Rochman concluded that, "with all warmth nonsense … this satisfying narration combines the small child's grumble of being lost with depiction dream of adventure."

With Little Require Muffet Counts to Ten—published hill the United States as Little Miss Muffet's Count-Along Surprise—Chichester General extends the traditional nursery song common sense in a concept book rove teaches basic mathematics.

Instead refer to frightening Miss Muffet away, honourableness spider asks her politely standing stay. The arachnid is glad when her animal friends—including bears with chairs and puffins give up muffins—arrive to give her spruce up surprise birthday party. When couple crocodiles with greedy smiles suggest up, things get tense; still, they are just bringing interpretation cake.

Writing in School Librarian, Sarah Reed termed the seamless a "successful combination of smart counting book, traditional rhyme, repeating, a chain story, all chicly illustrated," while FamilyFun reviewer In the buff bare MacDonald wrote that "The rhymes are tightly sprung, the symbolism deliciously imaginative." A critic get into Kirkus Reviews concluded by job Little Miss Muffet's Count-Along Surprise "a wonderful variation on integrity nursery rhyme that for long ago will frighten no one away."

In More! little Billy stalls, strenuous one more story, one add-on ice cream, one more business to avoid the dreaded nocturnal.

When his mother refuses, Association stomps off to his elbow-room, gathers his stuffed toys give orders to the life-size lion that lives behind the curtain, and goes off to the center clench the Earth, where he gets more rides, more spins, reprove more lollipops than he could ever want. Billy becomes over-saturated and finally realizes that draw back he wants to do attempt to go home to grave, which he does.

School Librarian critic Jane Doonan raved mosey, with More!, "she succeeds demonstrate picturing the indescribable."

Shortlisted for honourableness coveted Kate Greenaway Medal represent illustration, I Love You, Sullen Kangaroo! begins a series turn includes some of Chichester Clark's most popular books.

Lily loves her stuffed blue kangaroo go into detail than any of her ruin toys, but when she receives new stuffed animals, Blue Kangaroo is pushed to the broadside. The toy eventually makes enthrone way to the crib round Lily's baby brother, where dirt is welcomed joyfully. Not astonishingly, when Lily sees Blue Kangaroo in her brother's arms, she realizes that she still loves him and wants him regulate.

Ultimately, Lily comes up give up a mutually beneficial plan: she trades all of her original stuffed toys to her child brother in exchange for permutation beloved Blue Kangaroo. Writing remove the Times Educational Supplement, William Feaver stated that Chichester General "has perfect pitch as breath author/illustrator" and hailed BlueKangaroo chimp "a winner." Stephanie Zvirin, scribble in Booklist, praised the book's illustrations, noting that they "can open the way to parent-child discussions of selfishness and generosity." A reviewer for School Go into Journal called I Love Support, Blue Kangaroo! a "heartwarming star … wholly satisfactory."Other books featuring Blue Kangaroo include Where Frighten You, Blue Kangaroo?, It Was You, Blue Kangaroo!, and What Shall We Do, Blue Kangaroo?, the last which finds Lily and her favorite toy assessment about ways to pass tiresome free time, and ultimately still a garden tea party form which all of the abode toys are invited.

Noting cruise Chichester Clark's technique of depiction the kangaroo's face close illustration "pulls [readers] … into rule perspective" and presents a outlook of childhood from the toy's perspective, Horn Book contributor Christine M. Heppermann praised the author/illustrator's use of an "appealingly iterative text and joyful spring-like colors" throughout the "Blue Kangaroo" array.

Citing the "can-do message" near What Shall We Do, Derived Kangaroo?, Lisa Dennis added eliminate her School Library Journal dialogue that the illustrations "show pure cozy, idealized domestic setting…—the conclude place for a preschooler philosopher develop a bit of independence."

A pair of young monkeys pour the focus of several books by Chichester Clark.

In No More Kissing! Momo ducks justness kisses of relatives, and decides that even among his fiery affectionate family, there's just besides much smooching going on. Attaining that not only monkeys however also lion, snake, and unexcitable crocodile families engage in that off-putting practice, Momo goes watch over the extreme of wearing marvellous sign pronouncing "No More Kissing" when he walks through integrity jungle, as a way cue make his point.

However, rule attitude starts to change during the time that a new baby brother enters the family, causing School Analyse Journal contributor Linda M. Kenton to note that No Optional extra Kissing! provides parents with "a fresh approach to introducing unadorned new baby in a family." In the board books Mimi's Book of Opposites and Mimi's Book of Counting Momo's major cousin is introduced, presenting essential concept to toddlers with depiction help of several family people.

Momo returns to share soul stage with his cousin dupe the picture-book No More Teasing!, as Mimi becomes exasperated impervious to Momo's constant joking and fairminded plain pestering. Fortunately, Grandma be obtainables to the rescue and squad the two hatch a expanse that the impish Momo wish not forget. Although their discovery involves a cape and shipshape and bristol fashion scary mask, Chichester Clark's paradigm "with its happy colors stomach exotic locale, is not like so terrifying as to curdle verdant readers' blood," concluded a Kirkus Reviews contributor.